A group of college friends rent an Airbnb for the biggest music festival of the year. But their weekend of partying quickly takes a turn, as the group is murdered one by one, in correspondence with the seven deadly sins.

In a survival-of-the-fiercest, two twenty-something black millennials decide it's time to call the racists out. They think it could cause a revolution, instead it causes a downgrade in lifestyle.

Zel is a fortune teller. She lives and works in an old house at the edge of the woods. The house is crowded with ghosts (including a priest, a bride, a mute child, some washed up vaudevillians and a noisy, sight-impaired group of musicians among others) that have been there for as long as she can remember. When a mysterious light appears in the woods the ghosts realize that they are trapped and begin to rebel. Zel is forced to come to terms with the origins of these spirits and letting go of the only family she has ever known.

Just by watching Lupe stuck at home in her robe and slippers, no one would will guess that in the 80's she was a rock star. Gone are the times of concerts, fame and success. Agoraphobia does not let her leave home. She depends entirely on Paquita, his mother, a superstitious Mexican, with a huge heart, which not only takes care of his daughter but also her teenage grandson. The problem is that Paquita is running out of time and she doesn't want to leave without getting her daughter back.

A high school becomes ground zero for a zombie virus outbreak. Trapped students must fight their way out — or turn into one of the rabid infected.

Celebrities borrow their smart friends' brains to win a survival quiz.

In a sweeping tale that spans 1000 years and multiple generations – from the distant past to the 19th century, the present day and a strange, dystopian future – this landmark collection traces the collective histories of Indigenous peoples across Australia, New Zealand and the South Pacific. Diverse in perspective, content and form, traversing the terrain of grief, love and dispossession, they each bear witness to these cultures’ ongoing struggles against patriarchy, colonialism and racism.

Angie must pack up her sister's home after she takes her life.

Indigenous people have been misrepresented in film since the beginning of the Classic Hollywood Era, and people believe that Native Americans have vanished. We Are Still Here.

A group of disconnected people are brought together by a string of awkward events in post-9/11 Manhattan. A body-snatcher (Mia Tyler) is gathering dead bodies off the streets and no one seems to know why, especially the two detectives (Eddie Steeples, Peter McNolte) who are assigned to find her.